Dutch Tales About the Sea

This Week’s Prompt: 104. Old sea tavern now far inland from made land. Strange occurrences—sound of lapping of waves.

The Resulting Story:

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Did you know “made land” means reclaimed land from the ocean? I didn’t! I spent a slightly embarrassing amount of time trying to find places or folktales about where the sea has receded before at last finding stories that fit this prompt (somewhat). The only one I found there had to do with the Norse God Thor and while it was…interesting, and connected to drinking, I think I’ll save it for another time.

No for this week I decided to delve into the folklore and urban legends of a part of Europe I admit I knew little of before hand: The Netherlands. The Netherlands have been making land for centuries, and unsurprisingly they have many stories about floods, storms, and the sea. Some of these are fantastic, some of these are rather mundane.

For instance, the story of how the north sea became salty. Once, there was a ship over one hundred kilometers long. It was so vast that a man on horse had to relay orders up and down the ship, taking six days to deliver each command. Where this vast ship came from is unknown—certainly it is a magical marvel, lacking telephone or telegram, and yet almost a small island in scope. But as perhaps was inevitable, the ship and it’s many crew members where wrecked at sea. The salt needed for such a vast ship is almost incalculable, and so the entire North Sea became salt water instead of fresh water.

Ships of same build if not scale were in the employ of a Woman of Stavoren. She was wealthy beyond compare, as a widow running a vast shipping empire. One day, she demanded that the most valuable thing money could buy be brought to her—and in time her ships returned, full of rye. Enraged, she ordered the barley be thrown overboard. All this was seen by an old man on the quay, who told the woman that one day she’d be poor. She swore to him that she could never be poor. To prove it, she hurled a ring into the sea and said she was like to get that back as to be poor again.

The next evening, a cook served her fish. And inside, the woman found the ring. Needless to say, storms struck and sank all her vessels—and she was rendered destitute, forced to beg on the street. The rye still grows where it was thrown, according to rumor. They bare no fruit.

Witch Burning 1

But let us leave the sea behind, but not to far—and venture into taverns and cellars. One story tells that there is or at least was a wine cellar well known by older women. Here, witches flew to meet and drink and enjoy themselves. One woman, after her first trip to the cellar, decides to bring a younger friend along. However, she is too excited to recite the spell to bring them there properly. Most importantly, instead of “Afterward home again” she says “nevermore home again”—and curses the two of them to be forever lost on the road. The younger friend realizes the trouble their in—and as they can’t get home, the devil will come soon to snap their necks. In true college friend fashion, the two decide that if they must  go to hell, they will go drunk.

Later, the two are found passed out in the cellar by some workmen, with incriminating brooms. They are found guilty of witch caft and sentenced to burning—they awaken during the burning, however, and manage to escape the devil by converting on the stake. The devil, having appeared as an owl over head to seize their souls, leaves enraged.

Another tavern cellar had a more dangerous creature lurking in it then two drunk witches. Down in a inn at Utrecht, there was a basilisk. The basilisk was born of a rooster’s egg, laid by a snake. The creature was born down there, unknown to the inhabitants. It was first discovered when a man went down to get a drink—and never returned, as the venomous eyes of the basilisk killed him and ground him to dust. This first victim was dismissed, many assuming he had just gotten drunk and passed out—until a second man went missing. And a third. At last, the innkeeper was about to investigate when a monk happened to come in and stop him.

Basilisk1

Now, the discovery of a fire breathing—the story mentions this offhandedly, and so shall I—murderous chicken-snake is of course bad for business. So the innkeeper asked for anyone to help, offering a hefty reward. At last a street urchin came in, with a plank of wood as his only tool. Despite the pleas of the adults, the child descended to fight the cockatrice—and triumphed! For to the beasts surprise, the otherside of the plank was a mirror! So the beast died to it’s own gaze.

A more comedic inn story comes to us from Zuiderwoude. A solider was playing cards with his fellows, to pass the watch. Off hand, he offers to send the Jack of Clubs to fetch some jenever. The others laugh at such an impossible trick—but the solider insists. And with their agreement, he goes unconscious. He turns as pale as paper and sweats like a pig, as the jack of club vanishes. A few minutes later, to the horrified soldiers shock, a bottle of jenever appeared with a jack of clubs in its neck. The original solider drinks heartily, and they all join in.

The next day, they walk pass the main gate and learn someone assaulted the guard, nearly knocking him out and slipping past unseen. When they pass a local innkeeper, he accuses them of making a terrible ruckus last night to get nothing more than a bottle of jenever. When they deny it, he singles out the solider with the jack as having come to him in the night. The storyteller asserts said solider was a sorcerer, who never truly left the room.

But one that stuck out to me for our purposes is the Herring in the Bucket story. It is a short and simple and rather mundane story.

The story goes, a farmer was drawing water from a well. When he brought the bucket up, he saw there was a herring in it—a fish swimming in his drinking water. It occurs to him that the fish must have swam into the well—and if it swam into the wall, the ocean must be seeping beneath the earth. A single good storm would sink the entire area, washing it all beneath the sea. And with this in mind, he became miserable and angry, until at last the storm came—and when the waters receded he was found dead.

Herrings

This sort of story has a few other variants—the maintaining of a dyke is a communal activity that the rich and arrogant often neglect and are ruined for ignoring. But what to me works here, in this small simple story is the horror that it displays. The growing realization that the buried sea is ready to rise up again and swallow it all. I pondered for a moment, why the farmer didn’t leave—but how could he? He is a part of this land as well. In our story, the old sea tavern is perhaps safe—it is where the coast once was, after all. But the made land is unstable—the symbolism of unstable lives, of long buried tensions coming to surface is apparent. Especially considering in vino veritas. There is a lot here, with simple and growing signs of impending doom.

Whether we take it to be the utterly mundane terror of a rising tide—something that is topical these days—or if it has some supernatural to it (we have many many many examples of the sorts of strange things that lurk in the sea), the story has I think a firm and clear footing. What stories have you heard, about seas, taverns, and tavern basements?

Bilbiography:

Meder, Theo. The Flying Dutchman and Other Folktales from the Netherlands. Libraries Unlimited, 2008.

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The Dark Room

This Week’s Prompt:  103. Sealed room—or at least no lamp allowed there. Shadow on wall.

The Prior Research:A Lightless Room At Night

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4/20/2017

First day in the new apartment. Man, moving in never really get’s easier—but this should be the last time for a while. It’s a nice spot—I can walk to Uni. but I’m not being priced out too badly. Seems like most people around here have been here for a while. Met the landlord and my roommate—I think it was the landlord anyway. Same last name as on the ad, but he looked a little out of it. Excited to get everything done, but kinda zoned out.

Jim’s nice though. He’s working on some sort of photography masters or something, so he’s got some darkroom set up. Which makes the place a bit more cramped, but its not like I need more than a bed and bathroom at this point anyway. The photos look good though, and he’s been in some gallery’s nearby or something.

So, landed on my feet, got a decent gig starting tomorrow, things are looking up all in all.

The Dark Room

5/07/2017

God my knees are killing me. Three flights, without a working elevator, isn’t too bad but it hits hard after walking a mile a day. I’m sure it’ll level out though, build some strong leg muscles or something. Builds character, right?

Guy at the bagel place knows my name and preference now though, which is…well, a bit nice and a bit awkward. Will make it hard to change things up I think, but hey, its nice to have a somewhat friendly face outside the house. Work’s been a bit of a pain, to be honest, but data entry’s never exciting. I think I’m developing a hunch and staring at a screen all day isn’t helping me get sleep. Eye strains real I guess.

Oh yeah, there was some sort of…rally thing on campus today. Wasn’t clear about what, kinda focused on getting home and it was late, but there was someone taking signatures and stuff outside for volunteer work.  Kinda weird, I’d think college kids had less time than most to volunteer. God knows I didn’t have time to go door to door, but maybe the internet’s made that faster too.

5/13/2017

So I don’t know how to say this. But I think there’s something…weird about this apartment. I was walking home, a bit buzzed, but like. Attentive buzzed. And I think—okay, I did the layout of the apartment, and who has a darkroom facing the outside? That seems…weird. But okay, focus. So I’m walking home, checking every now and then because I’m sure there’s a coyote somewhere around here. And I see—the windows open to the darkroom—there’s a bit of red light peeking out from the curtains. Bright red light, in the middle of the night? Yeah, that got my attention. So I’m squinting at this weird red spot, and I swear something tugged the curtain.

And at first, okay, at first I was like you know what? Maybe there’s some secret to like. Fresh air helping photo’s develop. I don’t know, there’s all sorts of weird stuff in arts schools. Like once people made paint out of mummies—there were enough mummies you had a whole color made out of ground up mummy. I shrugged it off, even if it bugged me for a bit. But then I got up here.

And I had this thought. I’ll go see if Jim can tell me about how fresh air helps photos. He’s smart. And he’s kinda into talking about how photos work, what this and that thing does. I mean, I think he is. So I stumble up three flights of stairs, walk into the room—and its all dark. Whole house has it’s lights off. And I figure, maybe he needs it extra dark.

I knock on the door, and nothing. Nothing from the dark room, except a dim red light on the bottom. Which I shrug off and go back to slump down. But then I start thinking…And I start writing this. What is going on in there? I don’t know maybe it’s just like. A bird got stuck in there or something. But that doesn’t seem right. There aren’t owls here… Maybe a rat or something.

Keep having weird dreams of like…cattle being melted into guts and sausages. Somethings in the house, I think. Must be a rat, there’s this weird clicking tick sound in the walls, keeps waking me up.

Apartment Windows Exterior At Night

5/15/2017

Okay, I finally finally got a hold of Jim about the window thing. Finally. He said that yeah, the curtain gets caught on stuff sometimes, and that was it! That was all he’d say about it, nothing to worry about, but he was developing photos there tonight so fuck off basically. Such a headache.

And if that wasn’t enough, I passed another busted up building today. Cop cars and an ambulance outside. Don’t know if someone shot up the place or what, the glass door was shot up though. I don’t usually see cops that spooked either, and the guys in the ambulance were bringing out some buckets. I don’t think it has anything to do with the curtain, probably. I mean, the window was open when I got home. The curtains were shut tight though. I don’t know. I’m probably over thinking—I mean, nothing really going wrong in that room. Just some twitching curtains and ominous red light—which I think is normal? They have red lights there in the movies all the time.

5/20/2017

I know I’m supposed to be keeping this daily now. It helps keep things focused, right? Like a long anchor, or a memory back up or something. But I’ve been so tired lately, just utterly worn out. There was a weird noise Tuesday, kept waking me up. Not all the way up, but enough to just sort shamble around, meant I got like no sleep Wednesday. Someone’s doing some piping or something, it was this weird sucking sound. Like a drain or a garbage disposal left on. Maybe someone’s making some shitty new electronica or something, I don’t know.

I went into the kitchen, and there wasn’t anything. Then I thought I saw a big spider or something hanging from the ceiling…but that was just the fan. Still. Couldn’t sleep, kept thinking of giant spiders. And course finding a door back lit by red is comforting when your half way to dream land already.

Although I’m pretty sure the cats and coyotes would have gotten one by now. Last two days I’ve seen like…a dozen stray cats. They gave me the stink eye. I mean. More than cats normally do.

Haven’t seen those volunteer folks around uni lately…wonder what happened to them. I chatted with one of the kids that signed up—he said they wanted like, a full time jobs worth. Can’t afford that sort of volunteer work these days. Sounds exhausting, and with my sleep problems, can’t lose any rest.

Red Room Door 2

5/19/2017

Something lives in the room. I saw it. I saw it’s shadow on the curtain walking home. It was raining heavy and hard today, but there was a lighting bolt. A big flash—and I saw it. I saw it, just swaying there. I locked the door to write this. What else is Jim hiding in there? Why do the cats keep staring at me, watching me, all of them are watching me when I walk down the street I can feel it.

I’ve got to see what’s in there, right? I’ve got to see what—it had big wings. Big wings, like that spanned the window, but a fat body I think. Like some sort of owl bat thing. I’ve got to get out of here, I’ve got to get out of here.

6/11/2017

It found me. I woke up and I couldn’t move all night—and that thing…it only comes out at night. I can’t get a good look—big wings, and a long tongue. It stays in the dark, flicking it’s tongue on my chest or down my throat. When I had energy, I’d grab that fucking tongue, but it’s like it’s made of needles, its worse than a fucking cat.

I’ve tried running away during the day, I’ve tried, but my legs don’t seem to move right. Well, that’s not right. I’m so tired. I’m so tired, I forget it’s there. I just slump home and fall into bed. Sometimes I forget to eat. Jim doesn’t believe me when I remember to tell him—bastard’s probably in with it. He’s making dinner now, he makes most of the food now. I can barely sit up right and write.

I think it’s watching me in the corner. I think I saw the apartment listed again. God.

I’m going to die here.



I like this story. The idea of a dark room, as in one to develop photographs, seemed like an easier approach than the thunder storm. I struggled with how to end it, and I hope it’s not too sudden. If I was going to change anything, I’d try to play in the weirdness of the goings on around town more instead of just offhand messages.

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A Lightless Room At Night

This Week’s Prompt: 103. Sealed room—or at least no lamp allowed there. Shadow on wall.

The Resulting Story: FORTH COMING

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This prompt is an interesting one—and one that has a number of routes we’ve covered before. The most apparent to me is the hidden rooms of Eros and Bluebeard—often here, the bedroom of the husband or some other secret room is forbidden. In the case of Eros and Pysche is even specific about the oil lamp that wakes and frightens off Eros. We’ve also discussed Balkan Vampires—ones that in fact do fear light or are kept in secret places and pits. However, there is no shortage of strange and monstrous creatures in the night. And one I would like to go over tonight is a vampire from another part of the world: The Philippines.

The creature in question is the aswang—a vampire like creature that has a long tongue with a sharp tip, which it uses to suck blood or viscera from a victim. There are other sorts of creatures called or compared to the aswang in the Philippines, which we will discuss further on. The vampire, however, has some key and common traits. Vampiric aswang are often foreign husbands or wives, who feed on their partner or use their partner as a home base from which to work their havoc. The vampires that are dead returned to the living live in distant forests by day, and come to feed at night.

Viscera Sucker

The viscera sucker, sometimes called naguneg in Iklo and kasudlan in West Visayan, like wise has a long mosquito like proboscis or long tongue—but this isn’t sharp. At night it’s arms become wings and it abandons its legs to go hunting. It leaves these in a closet, on a bed, or hidden in a banana grove—if they are disturbed or salt is tossed on them, the creature will die. The viscera sucker targets pregnant women and the sick, drinking phlegm or feeding on internal organs using it’s straw like mouth. They may live in a jungle, hanging from the trees or in small huts, but a number live as wives in villages. Unlike the vampire, their fears are clearly documented—spices, light (as our prompt requests), big crabs, sting ray tails, salt, fire, guns, and knives.  I find these last three fears to be well founded in general, frankly. Salt of course is a weakness of the creatures—and marine life reminds them of that dangerous mineral. Lastly, a bamboo stake in the back of such a creature will kill it instantly. One becomes a vsicera sucker by either eating food spat up by another viscera sucker, or by eating a creature that emerges from a dead viscera sucker’s mouth that resembles a black chick.

A comparable creature, with the same fears, is the weredog. This creature resembles a man during the day, but at night becomes a large dog or cat. It sets upon people in their homes and—perhaps a bit tellingly—on youngsters who are too loud. The weredog and the witch however especially fear the sting ray whip—wounds it suffers from the whip appear again when it becomes a man. Villagers suspect wandering salesmen and laborers on government projects are suspected of being weredogs often.

The next creature of the aswang variety is a witch. The witch is a vindictive man or woman—usually woman—who slips cursed items and talismans into people’s orifices to get their revenge. Witches are described as having eyes like a cat or snakes, which reflect images upside down. They therefore avoid eye contact. They are also shy and live on the edges of town, in abandoned houses. They employ insects as agents to spy on victims or plant curses, and some cases argue they also make use of dogs for this purpose.

The last of these creatures is a ghoulish one. These creatures have long nails, fetid breath, and sharp teeth. They can hear the groans of the dying miles away, and eagerly gather at night around trees in cemeteries to feast on the corpses within. If they come across a funeral, ghouls freely make off with the living and the dead. Loud noises and fire frighten off the creatures, however, so proper celebrations keep them at bay. If they manage to get the corpse, they will turn it into a pig and make off with it—and try to feed it to another human being, turning them into a new ghoul.

The aswang first came to my attention from an episode of Grimm. I don’t remember any of the other elements of that episode, but the image of the long tongued creature horrified me. I don’t believe it separated its body as it does in these stories, but the distinctive appearance and feeding habits have made the aswang famous. There is even a resource on Philippines folklore and mythology, the Aswang Project, named for the creature.

A story from nearby Java also caught my attention. Here two men are lead to a cavern, to marry a magical serpent. They went to a spirit gateway, and after burning incense and making offerings, they were told to close there eyes. One obeyed, the other kept his eyes open. The one who closed his eyes waited until told to open them—and found the cavern replaced by a great palace, the dirt road a grand highway. He was invited in and asked to choose a princess to marry. They were married and agreed to meet Monday and Thursday, and she would give him money each time until she ran out. After that, he would return to serve in the palace.

Candi Naga

The friend who kept his eyes open saw none of this—just a cave full of large snakes. He of course didn’t have the heart to tell his fellow about the illusion. Here the revelation isn’t dangerous itself—rather it denies one the benefits and luxury they might have had.

Our story is thus about finding and revealing secrets, although the sort that are perhaps not disclosed in full. The prompt mentions a shadow cast on the wall, which calls to mind an onlooker. Crouched near the opened door frame, looking into this forbidden room. Another has come into the darkness. A light is lit—and their familiar silhouette appears on the wall. Only, moments later, something horrific wakes. Perhaps a winged shape emerges, or perhaps long clawed appendages reach out. And the intruder is gone.

There is a Lovecraftian creature this reminds me of—the Haunter of the Dark. This creature, associated with the artifact the Shining, can go anywhere abroad at night. It cannot emerge during light, and thus modern electrical lights leave it trapped in an abandoned church. Yet when the power grid comes out, it seeks the one who freed it—on black wings, with three eyes, on a whirlwind it arrives. This creature has since been viewed as an embodiment of the great Nyarlathotep, which then possessed the body of the viewer. He and it perished luckily when lighting struck.

Haunter in the Darkn.png

This Lovecraft story is situated between two other stories by Robert Bloch, which feature an invisible vampiric creature that rides on cold winds to devour a man from Providence after being summoned and a Doctor Ambrose Dexter being possessed by the lord of a thousand forms. While working on nuclear weapons, which of course is a horror all its own. The details of this creatures functions can be found examined on Lovecraft Science here.

Our story could be instead arranged around this as a midpoint. The discovery of a strange monster in the darkness of a room—one that, drawing upon the Bluebeard stories and Vampire ones, wants its presence hidden—could serve not as the rising climax but as the discovery that incites action. In the middle of the night, you might see strange shapes coming from the older house or the abandoned churches, down from the hill in between flashes of lighting. I do think Lovecraft’s idea, a blackout in a modern city allowing it free and a thunder storms lighting bolts revealing the creature for mere moments, before it flees and moves away. That’s a strong way to build tension in a very visual way—one that I think can be communicated in writing, albeit in a way that would be more clipped than my normal writing.

Oh the terror.

What creatures of the night do you know and dread? What things fear the light or despise it’s presence? Comment below!

Bibliography

Ramos, Maximo. “The Aswang Syncrasy in Philippine Folklore” Western Folklore, Vol. 28, No. 4 (Oct., 1969), pp. 238-248.

Wessing, Robert. “Spirits of the Earth and Spirits of the Water: Chthonic Forces in the Mountains of West Java” Asian Folklore Studies, Vol. 47, No. 1 (1988), pp. 43-61.

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The Last Will

This Week’s Prompt: 102. Corpse in room performs some act—prompted by discussion in its presence. Tears up or hides will, etc.

The Prior Research:The Testimony of the Dead

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The first two cars arrived for the reading of Mr. Melane’s will at eight o’clock am. The last of the four cars arrived at half past eight. I was obliged, by prior arrangement, to wait until all six surviving members had all the gathered to read the will in full.

“Can’t you just…you know, skip to what’s mine and get it over with?” Mr. Melane’s son, Arthur Melane, said, peaking over the podium.

“I’m afraid not.” I said, shaking my head. I had taken the liberty of reading Mr. Melane’s will ahead of time—at his request, a number of things had been prepared. A pile of envelopes, labeled for each item on the will or collection of items. His own cascket, which lay next to me, his’ feet towards the audience. And a list of photos with names, in case I got confused.

“I just don’t see why we have to wait—listen she’s always late, no need for the rest of us to wait along for her nonse—” Arthur said, his cousin Shelia squirming in her seat a little. And then the eponymous she arrived, Katrina Melane. Not the same hair style as the photo, but the same color and face. And her associate, Mr. Leonard Alphonse. I was fairly certain that Alphonse was a first name, but who am I to ask.

There was grumbling as they sat. The wife of the deceased, Georgia Melane, and the last of the relations Jordy Melane, had stayed silent and upright the entire time. Patient and somewhat cold gazes.

As they took there seats in the chapel. I started to read the will.

Chapel Exterior 1.png

“Dear my remaining family and friends. As you know, during my life I devoted myself to true and honest virtues. A portion of my estate has been set aside already for the furthering of knowledge and understanding among mankind, in the form of donations and contributions to scientific research across Windgift proper—”

There was another small set of grumbles.

“However, I have not forgotten the most timeless and nurturing bonds of kinship—”

There was a suppressed cough, I believe from Katrina.

“And as such have appropriated the remainder of my estate for my relations, with a caveat. As a believer in the value of merit first and foremost, and of the importance of great deeds, I have allocated these to the most worthy—those who have achieved things that are in needing of such reparations. My executor has been given all the evidence I have for my suppositions of who preformed these deeds—however, he has been asked to not hand over the property until the perpetrators stand forward for their own actions.”

More shifting. I peered over them, and steeled my heart.

“A sum of two hundred and fifty thousand pounds was, over the course of three years, misplaced from the family funds. In particular, a considerable amount of scholarship money set aside for Katrina’s art classes and collegiate studies went missing. At the time of its disappearance, I was greatly ill and not able to correct the imbalance. I am sure you all suspect as much. Whoever, however, removed the funds and confesses as such—to you I bequeath the estate on the moor, which I am sure you are all familiar with. The one with the lovely grove of trees.”

“I knew it.” Katrina muttered, frowning. “I knew someone was making off with—oh just give it to mother dearest. I’m sure she knows where it’s all scattered.”

“I didn’t touch those funds and you know it.” Geogria said, rubbing the bridge of her nose.

“It isn’t mother’s fault you drank away half your fund.” Jordy cut in, leaning to look at Katrina.

“Do you think I failed my math classes?” Katrina growled, her hands balling into fists. Mr. Alphonese rested his hand on her shoulder.

“A grudge that long ago isn’t worth a house, Kat…” Sophia muttered. “Just fess up and take it.”

“No, no its fine. If she’s so insistent to throw away her father’s last gift, than its fine. Yes, I misplaced the fund. It wasn’t like it was doing much good at university anyway.” Georgia said. I tapped the envelop with the peach grove on it, and cut it open, pouring out the first letter, and nodded slightly.

“Very well. Onto the second matter. As some of you are aware, as my health declined, my esteemed wife Georgia became close to a man by the name Ludwig Birding. Mr. Birding was a charming man, by all accounts, and quite the successful businessman. His import and export operations were growing rather well, and my accountant Roger suggests they will be valued at over a million pounds or more within the year. “

Georgia sharply inhaled. Katrina looked to the aside. Sophia muttered something to Arthur.

Chapel-LudwigPortrait.png

“An exceptional man, who’s life was tragically cut short by his own bottled demons according to a police report filed the 3rd of November. While none of my family drew the knife on the man—certainly, confessing to murder would be improper at a funeral. But who was it that gave him that poisoned cup? To them I leave my associated properties in Windgift, the dozen tenanted houses and associated businesses.”

“Always so long winded, even past the grave.” Arthur sighed and looking over. “Well, that’s two I can’t take. I never met old Lud until his face was plastered over the dining room hall.”

“He was…infuriating.” Katrian muttered. “But that’s just Mother’s taste. I didn’t even think he was pushed off the wagon instead of fell.”

“I thought he was quite kind.” Sophia said, tapping her chin. “He seemed a bit too friendly though.”

Georgia was silent.

“I knew Ludwig took…But still. Pushed off…” She said, tears running down her cheek.

“Well, that is the way of the city sometimes.” Jordy said, giving his mother a comforting hug.

“Pushed off by my own kin though!” She hissed, glaring around. “Which one of you did it? He’d been fighting for years to get off that damned drink. Years!”

“Mother, you knew him scant nine months…”  Katrina said a bit softly. Mr. Alphones stroked his mustache.

“I think I knew Ludwig…he wasn’t too uncommon back in the day…a shame his abstinence didn’t last too long. The man seemed pleasant.”

“Well, that’s all good morning a man dead for half a decade.” Sophia said a bit louder. “But we still don’t know who gets the property.”

“…Jordy.” Georgia said, turning to the youngest of the Melane’s and pushing off his hand. “What’s this about the way of the city?”

“Sometimes charming men fall back on their vices.” Jordy said, shrugging.

“Oh God in heaven Jordy…” Georgia gasped. Katrina clicked her tongue.

“Charming men sometimes fall, hm?” She said. “Sometimes favorites get jealous?”

“Nothing of the sort.” Jordy said, looking down at his feet. “I-I didn’t know he had a problem. I was being…friendly? Hospitable.”

“Oh that’s bull, you hate the drink like a cat hates water.” Arthur said, sitting upright.

“I knew he liked it, I didn’t know he was an alcoholic.” Jordy said. “Perhaps it was for the best then.”

“You killed him…” Georgia muttered, moving a seat.

“I didn’t kill him! I didn’t trust him.” Jordy said, shaking his head. “He was too kind, and I knew he was hiding something. I got him drunk, to let the truth come out—find out whether he was dangerous. To find out if he was taking advantage of you.”

“I am your mother.” Georgia said standing. “Since when do you look out for  me?”

“What about that man in Belgrade! Where did all that money for his charming little business go, mother?” Jordy said, standing up. “Or the dress maker from Paris, who was going to give you a career as a model and muse? Where did all of his funds go?”

A silence hung in the air. I reached over the sarcophagus, and took the letter up, and held it out. Jordy snatched it from my hand.

“At least father appreciates my service.” He muttered.

I took up the final section.

Chapel Interior 1.png

“And the final section of my will and testament, given in my right and aware mind, I allocate to the member of my family that perhaps has preformed the most grievous and influential act upon my livelihood, perhaps barring my death. Two summers before the writing of this will, there was a dispute between two persons in my library, in the summer home on the coast. Neither of you were permitted on the premise at the time, but such things are marginal compared to what happened after. I was informed, that evening, that a fire had broken out in my library—and that several key items to my research, my truth seeking, and my works. To whoever confesses the cause of the fire, I will relinquish the rest of the estate.”

Arthur laughed.

“Of course. That’s what he’s shaking his fist at from beyond the grave. Not murder, not undermining the family name, not affairs…” Arthur gasped for breath. “No. For burning some books of long forgotten lore. Of course.”

“Well who—” Georgia began.

“I did.” Sophia sighed. “Me and Arthur were visiting to find some old books and…and we found some writings from Uncle Melane’s private life.”

“Some writings? Yes, well. We found quiet a few writing, by my memory. Father had gone deep into things that were too deep for me to let stand.”

“It was a bit extreme but we did not expect the fire to spread.” Sophia protested.

“Yes, fine. But we confess to—” Arthur began—until there was a loud scraping sound. A hand, long thin skeletal hand, reached from the sarcophagus, open a jar. It reached up and seized the final envelope. And slowly, to the horror of us gathered, retracted back down into the coffin. And the coffin was sealed shut, the last will of Mr. Melane trapped within.

I wonder if they dared open it later.



This story needs more room, I think. The idea, the conceit of a will dependent on confessions, seems appropriate. But I think peppering it with revealing flashbacks–I’ve heard the movie Knives Out has done something like this–or by expanding the conflicts between the family members some. I think the middle one, with Jordy, is my favorite. I think at the end, the characters aren’t…set up enough for this plot. Not in this version anyway.

Of course, if you like the idea of seeing a revision of this story and others, you can join our Patreon here.

The Testimony of the Dead

This Week’s Prompt: 102. Corpse in room performs some act—prompted by discussion in its presence. Tears up or hides will, etc.

The Resulting Story:The Last Will

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This prompt in a number of ways limits the story that goes forward. While there are some folklore models that we can draw upon here, I think I’ll start by discussing what form the story is likely to take first. The supernatural element, the key moment, is the destruction or hiding of a will by a dead person. The act is prompted by discussion in it’s presence, presumably discussion of the corpse itself or what is contained in the will. Now, it has been some time since I attended a funeral, thank god, and I have never actual sat for a reading of the will.  This is not terribly surprising, as a brief google search reveals that the dramatic heights of a reading of the will are in fact entirely fiction. Such events do not happen. Perhaps then, in some macabre way, we can place the body at the center of the scene anyway.

As it happens, then, we have a unique advantage. The horror of the grave rising up, one last time, to defy or scorn the beneficiaries of its will is written out in our prompt, but itself is not the core of the story. No, the story’s thrust is not in the moment but in the build up of family tensions, of schemes before and during, of arguing, of lying and truth telling. It is like a gothic Thanksgiving dinner, where all the family gathers and learns too much about each other but cannot leave. Because as they say, where there’s a will there’s a hopeful line of relatives.

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Now, what folklore do we have examples of living corpses and haunting. We discussed the nature of some vampires to rise and feed despite lying in wait, and how recitations can drive them out here. These are especially notable in the context of a will, given the tendency of the vampire to feed on its own family. While not all of them have this chance, the looming spectre of lost family is hard to avoid.

We’ve talked about numerous, truly numerous numbers of the living dead and ghostly creatures here and here and here and here as well. The nature of the dead is strange, numerous, and plentiful in folklore and horror. However, there are a few more stories we can add to the discussion, particularly from the recent readings I’ve done.

One story that relates particularly well is that of the Biting Corpse—tale number ten of the twenty three. This story follows a motif common in the stories, of two quarelling brothers. One is rich but miserly, the other generous but poor. The Elder brother holds a great feast and decides not to invite his younger brother, so the younger brother decides to steal food from the elder brother’s storehouse. While doing so, however, he sees his elder brother’s wife taking some food out in the night. He follows her  until on some flat ground, behind a hill, he finds her again. She sits caressing and feeidng a corpse, or at least trying to do so—the corpse of her last husband.  She even leans down to kiss him—but the corpse bites off her nose instead. He escapes before being noticed, and waits for the next day.

The wife tries to cover her new injury by claiming it was her husband who inflicted the wound. The two quarrel over the matter until at last it reaches the khan, who is ready to sentence the husband to death. However, the younger brother appears and reveals the truth—and when the woman’s corpse-husband is found, she is put to death. Other tales, which I will discuss in more detail on the patreon, do present wives who revive their husbands—but this incident is not repeated or given further context.

The moral of this story lies of course in proper treatment of ones family more than the corpse itself—but I found it strange when reading that the body would except no food except the nose. The nose, one of the facial features that is most clearly not present on a skeleton. And there is something to be read here, about how attachment to a former husband drives a rift between husband and wife, such that the wife conspires to get the husband killed.

To touch on an example of living dead that we haven’t discussed, the dybuuk is another familial threat. A dybuuk is a Jewish ghost, one that cannot find it’s way to the afterlife and thus is trapped in limbo. In  order to escape this torment or perhaps to continue it’s wicked life, a dybuuk often possesses  a body—sometimes its own—and commits various transgressive acts, including blasphemy and murder.

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These sources stuck out to me among the other undead for their combination of both thinking or at least responding to the living and their corporeal form—while lacking the direct feeding that vampiric creatures possess. They are somewhere between the two—neither full blood sucking beast nor mere phantom hurling objects about. The only difference here is the singularity of the incident. The body’s sudden motion is its only act.

A more comedic set of tales comes from Indiana. Here a pair of stories related a hunchbacked man’s burial—due to his hunchback, the man could not lie flat in the coffin and so was held down by straps. In one story, a friend was watching the body when a cat snuck in. As the man chased the cat around with a broom, he accidentally struck his friend and caused the binds to break—the dead man shot straight up and the firend only said “Lie down, John, I’ll get the damned cat.”

In the other instance, the man stays down until the funeral. During the service, the minister passionately proclaimed that “this body will rise again!” And on cue, the dead man sat upright! The whole congregation fled that instant.

What is interesting to me about these two stories is the similarity to vampiric ones, in an odd way. In the Balkans, as we mentioned, a cat walking over the grave of a dead man could in fact cause him to rise—as a creature of the night, murderous and cruel. Likewise, the connection and antipathy vampires have for the holy and proper funerals is oddly similar to the reaction of the minister. While I doubt there is a direct connection between the stories, there is a strange resonance between them.

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When it comes to tales of Lovecraft and Gothic Lore, the dead are of course always nearby. But this story in particular reminded me ofthe House of Usher—a story that will return and return, I believe, in these prompts—and how it included the burial alive of a dear relative by an off-kilter brother. That the woman was only mistaken for dead does little to change the effect of her rising at the reading of a story in her presence, and rush out to her brother in rage.

Mr. Lovecraft’s story, In the Vault, deals with another vital corpse. Here the corpse is of a wicked man, and it’s motion is perhaps questionable. We follow a careless, lazy, and generally unprofessional undertaker who, because of the winds of April, is trapped in a vault of coffins. This vault, to store the dead during winter, when the ground is too dense to dig through, is of course a terrifying place to be. As the vault is sealed, and in a hill, the undertaker must make his own escape. He stacks the coffins, one atop another, and stands on their poor construction to break himself free. A moment before he manages to get free, something—either the corpse or the breaking coffins—savages his ankles, forcing him to crawl not just out of the vault but all the way to get aid. The doctor, however, recognizes the true source of the wounds and demands the undertaker never reveal them to anyone else.  That is not the full story of course, but I do enjoy the full twist myself.

The Gothic tale House of Seven Gables has a similar, haunting notion of a lost will buried in the walls. We’ve discussed this at length here, to elaborate on some of its plot points in inheritance, family, oppression, and communal guilt. For our purposes, its important that the will serves as a promise in the past for fortunes that could have been or that came into their own in the future. The will that is destroyed is not only a symbolic connection to the past, it also acts as an embodiment of a dream or vision of the future.  This is part of the horror of the story—not only that the dead walk and possibly talk, but that the dead reject or deny something to the living. Peace of mind at the most basic, of course, but more tangible things as well.

Our stories conflicts will then be two fold—we will have the living against the living and the living against the dead. This is, as I mentioned before, a story of relationships and their many forms, and how they change or come into new lights with someone’s passing. In particular, however, this can be the story of secrets as well—the sorts of secrets that only come to light when someone has died, and left their last act in the air waiting. The will is their last communication, the “truth” of their feelings and cares. And of course, a fight over that will be painful—especially if the prize is to be denied at the very end by the dead themselves.

Bibliography

Baker, Ronald L. Hoosier Folk Legends. Indiana University Press, 1982.

Busk, Rachel Harriette. Sagas from the Far East; or Kalmouk and Mongolian traditionary tales. London. Griffith and Faran, 1873.

Epstien, Saul and Robinson, Sara Libby. The Soul, Evil Spirits, and the Undead:: Vampires, Death, and Burial in Jewish Folklore and Law. Preternature: Critical and Historical Studies on the Preternatural, Vol. 1, No. 2 (2012), pp. 232-25

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