A Prodigal Son Returns

This Week’s Prompt: 71. Man has sold his soul to devil—returns to family from trip—life afterward—fear—culminating horror—novel length.

The Prior Research:Dealing With The Devil

I was on the porch, watching and waiting for Rinaldo’s return. My elder by a few years, he had gone to Germany to learn his letters and then to Russia following a scholar of theology and her child-sciences. I had feared I’d only see him again by chasing after him into the wilds, an idea I wasn’t necessarily opposed to. I was understandably delighted with mother and father when we received the message that he was coming home.

Our village was small—only the priest knew letters and numbers well. Rinaldo had managed to go abroad only after living in town for months and working himself to the bone while learning. They seemed magical, the scraps of paper and marks of the quill that transformed our misty covered home. With one hand they took, the other hand they gave, marking the words of the King and God as they went.

When Rinaldo broke the morning mist His sallow skin and bagged eyes gave that away as he walked down the path to our farm. My good brothers back was bent some, as if a rock bent him over. He came back wearing a fine red cap and dull cloak, a bag of belongings in his hand as and a iridescent feather sticking from his brow. Not waiting for him to get close, I rushed down to hug him close.

There was a pause on impact—a moment of uncertainty. That was to be expected—my brother had been slow even as a child, and no doubt exhaustion had made him slower. What I did not expect was for him to remain stiff as a board before resting a hand on my head and pushing me back.

“Off.” He said, his voice with none of the playful teasing I’d expected. When I took a moment to move, startled by his demeanor, he growled and pulled me back by the hair. “I said off.”

I stared as he continued down the path to our parents, who looked on a bit confused. They told me when I came in not to worry much on it. Rinaldo had been away for a long time, and was no doubt quite tired—travel and exhaustion change people, and no doubt after a good meal and rest Rinaldo would be back.

He stayed in his room for most of dinner—when at last he descended, he didn’t speak a word and took his plate with him to his study. My parents comforted themselves—exhaustion might have eaten at him, or perhaps he was in no mood for conversation. His absence at grace was troubling too. He had been a very prayerful person before his departure. Very talkative as well.


The next day, I went out as always to gather flowers on the hill before helping in the field to cheer him up. I was certain that would cheer him up—buttercups were an excellent cure for almost anything. It was almost harvest time, and mother and father needed all hands to keep the rodents away. When I ran up the field, I felt something crawl on my back. I turned around, and saw a single eye staring from Rinaldo’s room, barely illuminated in the twilight. It was uneasy, that eye—it seemed to clear and large to be Rinaldo’s, but it had some semblance. My body trembled and I felt as if my courage was shaken from me like dust from a cloth. Whatever the strange look from his room was, I had lost all desire to go near my home for the day. Maybe I’d stray into the fields, but the house gave off an unwelcome air.

EyeHouse

Instead, I gathered my flowers and stayed in the field, watching the roads and waiting for the harvesting to start. I gathered a variety of flowers—buttercups, dandelions, all sorts of bright yellow flowers. I made my way towards town, away from my house. Dealing with Rinaldo, in his poor state, was beyond me this early in the morning. It was on the road that I saw her.

Lady DeFronte…I had known her as a highly respectable woman of the town. Dressed in her finery, she was walking alone the other way, all in green and red, with a strange look on her face. She barely noticed when I called out to her and waved—at first I took this to be the airs of a well off woman, who were wont to ignore children. But as she drew close, I saw a serene smile on her face, her eyes fixed ahead.

“Oh, Rinaldo’s younger. Is he returned yet?” She said when I got close enough to wave more pressingly.

“He came back yesterday. But he’s in a sour mood for now, I wouldn’t bother seeing him.”

“Oh, well, I will see what I can do about that.” She said her eyes fixed at some point past me, still smiling. She walked off before I could reply. I watched her walk off, her gait a bit stilted and strange.

I continued down the road to town, and saw a young bakers wife coming up the road with the morning’s bread. She had that same peaceful serene look, and waved passively back as I went along my way. I tried to warn her too about Rinaldo’s temper and mood, but she ignored me and carried on with her walk.

In town, nothing seemed amiss. I had meant to stop at the bakers to get bread, but that seemed pointless now. So instead I went about looking for a present or trinket for Rinaldo—something that might help anchor him back home. I looked around the market a bit, for some little thing, when a bit of movement caught my eye. I hadn’t seen the culprit clearly, but the size of the shape convinced me a stray cat had slipped down a corner. Forgetting my prior quest, I chased after the shape, and caught sight of it more clearly when it stood perched in the window sill.

It was like a rat in shape, the same thin hairless tail. But it was the size of a cat, with hands like a monkey. Its head, which appeared like a man, was tilted down to better fix its goat eyes upon me.It stared at me intently, and I felt that same disdain as at my home—a mixture of revulsion and fear that held me in place and nudged me back. It bared it’s mouth open at me, showing snake’s fangs along side a host of others, and made a low hissing noise when I tentatively took a step forward.

Strange Rat

And then it was gone, into the house on which it was perched. I stared at the space it had left behind, before retreating. I lingered around town a bit more, visiting the smith’s son and the carpenter’s children. But even as we played in the streets, tossing stones, fighting with sticks, and other games, I felt that unease. That pair of eyes lurking on roofs or behind doors, staring hatefully. Animals do not look like that.

Eventually, I decided to head home. I knew mother and father would be cross by now, but I hoped I could explain it away. On the way back, I felt a sigh of relief. The road was free of the strange eyes that shown. Night was coming soon, but that merely painted the sky red instead as the stars began to shine. I had discarded my old flowers—most had wilted by now, except one I kept behind my ear. It was sturdy and fresh, until the house came into sight. I felt it wilt into a sickly shape as I stepped onto the door and slipped inside.


The house was dark. And almost silent, save strange scrapping and settling sounds. My courage again fled, as I crossed the threshold. Turning into the kitchen, I saw mother and father seated in their chairs, eating quietly—but the thing on the table was a fowl I’d never seen before. It was colored wrong—almost bronze and with flesh that smelled slightly.

Fearful of punishment and of the strange meal, I slowly walked to the table. Neither greeted me when I sat down. I reached out slowly to cut a piece of the strange meat, but felt an smack on hand. I recoiled and glanced around. Neither of my parents had moved. I tried again, more cautiously this time, but the pain on my hand returned. Terrified now at the invisible force, I pushed back and left the table.

My parents didn’t say a word.

It didn’t matter where I went in the house—there was that feeling in the air of something rotten and wrong. My heart raced, and my brain filled with terrors that refused to take on a good shape—that something lurked just out of sight, or beneath the chairs and floorboards. The roof of the attic shook, and I heard moans and the scraping of furniture on the floor above me.

I decided to flee then and there. Even as young as I was, I knew something unholy resided in our house—and looking out the window it wasn’t hard to find. Our crops, our harvest, had been carved strangely. A may pole had been driven into the field, with ribbons running down. Letters ran along the ribbons, which at the end had a pack of strange creatures, visible only slightly by the moonlight. Around and around they went, carving strange rings and spirals into the ground. I felt the strange pressure in my brain, as if the pole were working its way through my skull, carving into my thoughts with a deadening nail. It was not a pain like a slap or a sore, but an ache, like a bruise that was pressed insistently. I saw other figures in the field, drawing closer—a knight clad in red, with a winged shape on his shield, in the distance of the field, with a woman dressed in purple on the back of his monstrous horse. I knew, somewhere in my soul, if I stayed much longer, the pole would fix me in this place.


So I slipped away into the night, back to the road. I knew of one man who knew letters besides Rinaldo, and might know the cause at our home. The priest found me pounding on the chapel door.

“Child, what has you out at this hour?” Father Tabris asked, staring at me.

“Something’s wrong with my brother.” I said, staring up with wide eyes. “He’s…something’s wrong since he’s come home.”

“…come inside, I’ll put some tea on.” Father Tabris said, nodding.

I will give the good Father this—he was very patient with a girl that no doubt seemed mad at first. I hadn’t the forethought to bring proof with me. I had seen the strange goings on by night, and what could I have gathered? The strange rat? A bloody parchment with my brother and the devil’s signature? The poultry? They all repulsed me, and at least one would bite me. Still the Father took it all into consideration. At first I thought it was humor, but I saw in his eyes that something simalir was ruminating.

“I had…concerns about your brother’s arrival. I found a dead cat in the sanctuary, dragged to the altar—and stained on the floor were small hand prints, like it was taken by a violent child or dwarf.” Father Tabris said, looking at his tea. “It wasn’t long before I went and found the creature responsible—at a glance I thought it was a particularly large rat. I drove it off with a stone—or so I thought.”

“Do you know what’s happened with my brother?” I asked. Father Tabris seemed unable to hear, continuing on.

“It was strange, too, that your brother came so soon. I remember, his letter, it seemed so calm in handwriting for a boy coming home to his family. I took it as discipline well exercised—that he had maintained such a hand only after years of penmanship. But perhaps that was another missed warning. Perhaps, I should have seen those shapes in the morning mist—small, mayhaps, but fateful in the end.” Father Tabris said, looking at his silver cross, running his fingers on it.

“Do you know what–”

“Yes, I know what happened to your brother.” Father Trabis said, standing and going to his desk, rifling through his papers. “He has made, I fear, arrangements with a power I cannot compel. Exorcism, sadly, was not much of my teaching. But I am aware of some folk that still lurk abroad…”

“Abroad?”

“Abroad…Not far, but away. I had intended to leave this night alone, but if you too haven’t fallen under his spell—it is best we go together, there is safety in numbers at night and along on the road.”

“Wait, we can’t—leave now? Your a priest!” I said dropping my tea, the clay cracking and the tea running over the floor.

“I am, yes.” Father Trabis said nodding.

“Priests defend their flock from wolves!” I protested.

“Yes, shepherds fend off wolves. But we are not dealing with wolves. We are dealing with bandits in the night—and for that we need a different man of God.” The priest said, shaking his head. “I will not make you come—but your brother’s depredations will only grow.”

We left that night. I hope to return soon.


I am…not happy with this story. I had planned it to be longer (the third act is missing, and the first act/section goes too fast for my liking). It’s a shame that I spent a lot of these last few weeks moving and getting used to a new place–I really think the basic concept here could be a great horror story. Aw well, I suppose that’s for the Patreon next year. Speaking of…

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Dealing With The Devil

This Week’s Prompt: 71. Man has sold his soul to devil—returns to family from trip—life afterward—fear—culminating horror—novel length.

The Resulting Story: A Prodigal Son Returns

This month is something of a return to popular topics it seems. Last week, we had the creation of the world out of a person—not that dissimilar to the stories of Leviathan from a few years ago. This week, we return to the archnemesis of mankind and one of the most famed tropes in fiction: a deal with the devil. Through folklore onto plays in Shakespeares day, even into modern television, the Devil is a busy tradesmen and contract writer it seems.

Theophilus Deal With The Devil.png

The first story of a deal with the devil—directly said as such—comes from the early church and Saint Theophilus. Saint Theophilus of Adana was a saint from the early 6th century, who according to the chronicler was a humble man that turned down an appointment to a bishopric. The bishop elected instead refused to give him a post as archdeacon. Now regretting his humility, Theophilus contacted a sorcerer or necromancer, and contacted the devil himself to gain his position. Theophilus renounced the Virgin Mary and Christ, and signed a contract in blood to become a bishop again. The devil fulfilled his end of the arrangement.

Not long later, however, the Saint Theophilus grew afraid for his immortal soul. He fasted for fourty days and prayed for forgiveness from the Virgin Mary. After chastising him, the Virgin Mary went to intercede with God. After another thirty days fasting, she returned and granted him absolution. The devil, displeased, three days later lay the contract on Theophilus’s chest. Theophius takes the contract to a real, non-diabolic bishop, who burns it. The saint then dies of joy.

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This story is among the first we have, but there are many more. Another holy man made a bargain with the devil to complete a bible before dawn in the early 13th century. This holy man had broken his monastic vows, and was in danger of being walled up a live ( a punishment we are familiar with). He prayed to no avail, until at last he called upon the Lord of Darkness. The Archenemy of All Mankind finished the work in an hour, and in memory, the book—now known as the Codex Gigas—contains a large picture of the Devil himself inside.

The greatest holy man to supposedly make deals with the devil was Pope Slyvester II. Pope Slyvester introduced Arabic numerals to the Western Church, and was rumored to have stolen a Arabian sorcerer’s spell book. The sorcerer pursued him, able to see all in heaven and earth by means of the stars, until the man who would be Pope slept atop a bridge in order to evade capture. Later on he used the spell book to summon forth a demonness in order to secure the Papacy, and created a brazen head of bronze that could answer any question posed to it (as long as it was a yes or no question). The demoness or the head warned the Pope that if he gave Mass in Jerusalem, the Devil would slay him—resulting in the pope canceling his planned pilgrimage.

Pope Slyvester.png

However, Pope Slyvester II did give a Mass at “The Holy Cross of Jerusalem”. And what happened there is somewhat disputed. One instance says the Pope felt suddenly ill, and requested that after death his body be cut to pieces and scattered. Another says the devil did assault the Pope and ripped out his eyes. The Pope, pentient, chopped off his hands and tongue. After death, legends formed—based on a misreading of his tomb text—that his bones will shake whenever a Pope is close to death.

Another man of learning who regular dealt with the devil—although who never lost his soul in the process—was Saemundur Sigfusson. Saemundur’s deals range from transport back to Iceland on a seal, to learning the Dark Arts from the master himself. In each case, however, Saemundur outwitted the devil, often by causing the devil’s end of the deal to become impossible. For instance, the Devil promised to take him to Iceland on the back of a seal in exchange for his soul. Saemundur, wisely, killed the seal moments before it met the shore and walked off.

John Fian.png

John Fian was a more recent man accused of making deals with the devil. A Scottish schoolmaster, John was accused and confessed under torture to being a witch who had signed a contract with Satan himself. This deal granted him, if accusations are believed, the power to bewitch town folk—including a botched attempt that resulted in seducing a cow—and raising storms to destroy ships. The schoolmaster did, to his credit, claim to renounce Satan to his face. Sadly, he then attempted to flee authorities and was predictably burned alive after a rather nasty torture involving nails.

John Fian features in the book of the same time, the Demonlogiae, by King James. The book contains a section devoted to contracts with the Devil, who takes various forms to render various services. When curing disease, he appears as an animal. When answering great questions, he possesses the body of a dead man to fortell the future (an example of Necromancy, no doubt). Other times, a devil may take the form of a ring or enchanted item, and elementals—those angels that occupy the air, fire, earth, and water of the world—are also fallen devils. The services of the devil are often ones of revelation—often of secrets King James reckons are not to be revealed, as God has sealed them up, or of secrets that do not require diabolic aid. Further, the Devil’s work is accorded to be no more than illusions—his armies are but strange shapes in the wind, for true miracles only God can work.

Devils Bridge.png

That of course, does not mean deals were made only for lofty goals of intellect. The tradition of a devil’s bridge is far more practical then the Faustian search for knowledge. These bridges are built with a pact of the devil and are often believed to be constructions of antiquity. Some versions it is the mason that gives their soul—in others, it is the first person to cross the bridge to give their soul. While there are many versions of the story, one version contains another saint—St. Julian the Hospitaller. The Saint, however, cons the devil by sending a pig or dog across instead of a human being.

Another case of practical skill is a man in Shropeshire wrestled or dealt with the devil for power over motion in many ways. He supposedly was able to compel a man to return to him after leaving a bar and hold him there in place, cast illness with his evil eye, and other nuisances.

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And of course, there is the most famous case of dealings with the forces diabloical—Faust. Johann Georg Faust is a historical figure attested to in a number of documents, but his legend makes any accurate statements difficult. Often driven out of town on accusations of fraud, Faust or Faustus—who may have been one or two individuals—claimed to be an alchemist, a doctor of philosophy, a doctor of medicine, an astrologer, and magician. His exact activities as he traveled are recorded somewhat:he preformed a astrology for a bishop in 1520, and banished from Nurnberg and Ingoldstadt in 1528 and 1530—on accounts of necromancy and sodomy. In 1536, he received recognition as a more genuine authority, and is last recorded in 1535 in Munster.

The legends around Faust existed in his life time. A man declaring himself Faustus Junior boasted of being able to preform the miracles of the bible. Other accounts credit Faust as boasting of granting the German Emperor victories in battle with magical means. Faust was rumored to have a dog that became a man servant, of flying, of deceiving men into rubbing their faces with arsenic to remove beard stubble, and more. In 1540 or 1541, Faust supposedly died of an alchemical accident. His body was greatly marred, reportedly as the devil had come for him at last to collect. Faust’s spellbooks have been published for two hundred years, the last one in 1691.

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Faust’s deal with the Devil is recorded in The Historical Faust, a German chapbook. The deal occurred in the Spesser Wald. It is recorded as such:

Now the Devil feigned he would not willingly appear at the spot designated, and he caused such a tumult in the forest that everything seemed about to be destroyed. He blew up such a wind that the trees were bent to the very ground. Then it seemed as were the wood with devils filled, who rode along past Doctor Faustus’ circle; now only their coaches were to be seen; then from the four corners of the forest something like lightning bolts converged on Doctor Faustus’ circle, and a loud explosion ensued. When all this was past, it became light in the midst of the forest, and many sweet instruments, music and song could be heard. There were various dances, too, and tourneys with spears and swords. Faustus, who thought he might have tarried long enough now, considered fleeing from his circle, but finally he regained his godless and reckless resolve and persisted in his former intention, come whatever God might send. He continued to conjure the Devil as before, and the Devil did mystify him with the following hoax. He appeared like a griffon or a dragon hovering and flattering above the circle, and when Doctor Faustus then applied his spell the beast shrieked piteously. Soon thereafter a fiery star fell right down from three or four fathoms above his head and was transformed into a glowing ball. This greatly alarmed Faustus, too. But his purpose liked him so well, and he so admired having the Devil subservient to him that he took courage and did conjure the star once, twice, and a third time, whereupon a gush of fire from the sphere shot up as high as a man, settled again, and six little lights became visible upon it. Now one little light would leap upward, now a second downward until the form of a burning man finally emerged. He walked round about the circle for a full seven or eight minutes. The entire spectacle, however, had lasted until twelve o’clock in the night. Now a devil, or a spirit, appeared in the figure of a gray friar, greeted Doctor Faustus, and asked what his desire and intent might be. Hereupon Doctor Faustus commanded that he should appear at his house and lodging at a certain hour the next morning, the which the devil for a while refused to do. Doctor Faustus conjured him by his master, however, compelling him to fulfill his desire, so that the spirit at last consented and agreed.

Faust’s bargain specified that the spirit sent would serve him for period of time. At the end of this period, he would surrender himself to the spirit. He forsook the Christian faith and signed such in blood. In exchange he gained any desire he wished—although not marriage, as that was a sacrament. The spirit appeared hence as a Fransican monk.

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Faust then inquired many things of his spirit guide, flying into the heavens, descending into hell, learning falsehoods about astrology and others. He stayed in the Pope’s palace invisible, slept with the wives of the Sultan while wearing the sultan’s form, and more. He cursed a knight to have antlers, trapping him in a window; he gathered food for a pregnant countess and created all manner of animals; he conjured Helen of Troy to show his talents of necromancy; he encountered sorcerer’s who could chop off their heads and put them back on again.

In the end, Faust’s students begged him to ask for forgiveness. And he tried to. But Faust was convinced his contract damned him, and so could not genuinely ask for forgiveness. And so he met a gruesome end, which I will not repeat here. Faust leaves a will and testament, granting his butler Wagner all of his belongings. (I will note here: the original Faust chapbook, linked here, is shockingly anti-Semetic in many ways.)

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Later versions of Faust include more details—the play of Goethe add a love intreast that might redeem him, and the role of doubt as near conversion is expanded. Goethe also added a happy ending—Faust at the end of Part II is redeemed by the angels as Mehpistophles lusts after them.

More modern takes on the Deal with the Devil focus on an interesting and specific talent and form of expression—music. Folktales about violinists making deals with the devil include: Niccolo Paganini (1782-1840), who was rumored to deal with the devil and who was not permitted a church burial upon death; Giuseppe Tartini (1692-1770), who wrote a sonata based on his encounter with the devil; Philippe Musard (1792-1859), who’s wild conducting style convinced some that he had also made pacts with the devil; Tommy Johnson (1895-1956), a blues musician who’s brother claimed he sold his soul for guitar playing skills; and Robert Johnson (1911-1936), who made a similar deal. And of course, there is the folk song about the Devil going down to Georgia.

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The deal with the devil persist in popular culture, although the cause over time seems to have changed. The major deals with the devil I recall—such as Futurama’s The Devil’s Hands are idle Play Things or it’s later movie The Beast with a Billion Backs— present deals with the devil as matters of passion and love. The Disney movie Princess and the Frog has a non-literal deal with the devil for status and freedom in a more traditional mode, however. The film Anastasia features a reference to a pact with Rasputin in exchange for sorcerous power—in a way reminscent of the Disney film. Generally, however, deals with the devil are lately things of lost hope and desperation—I have more examples, but they are spoilers for shows worth of material. This contrasts the model that folklore presents, where deals are made not to save lives, but to advance one’s station and power over the world or to increase one’s knowledge. And to be honest, that is more tragic to me.

At the end of the day, a deal to save a life is a heroic sacrifice. It’s tragic, and poignant, and sad, but ultimately it’s a failure to think things through or let go or consider alternatives. The deal with the devil plays on character flaws, but often for a goal that is more easily accepted. The problem is mostly these stories are about saving people—not about the heart of the original deal with the devil, which is the loss of an immortal promise for mortal gain. Some deals change this by making the deal with the devil not about the soul itself directly, but about actions that lead to torment and the path of wickedness anyway.

Our story resembles a song I heard once: The Devil’s Train by Lab Rats. Unlike the more famous song, the Devil Went Down To Georgia, this story features a more diabolical assault. The character features an unspecified deal with the devil and…well, you can watch it here:

The Deal with Devil here is for the soul of the man. The question is, what did the man trade for? What did he receive for his immortal soul? For the story to work, we need I think for the stories unsettling terror and growing fear to work the change should be…less spectacular then Dr. Faust. More practical, more pragmatic. As to what a man is like without his soul…well, I think that is the source of dread and uncertainty isn’t there? That there’s something intangiblelly…unsettling about a person. The deal, of course, should be a secret I think. A trip abroad can change someone, and that gives us some cover for the changes in one of our characters.

The relationships at play here are also uncertain. I have been assuming the man is the patriarch of the family, but on reflection the horror might work better with a young man…it is easy to grow so distant from a person that you no longer recognize them. A trip abroad exacerbates that effect. I myself am going abroad soon, so such changes are on my mind…hm. There’s a good deal to think about for this story.

I will note that I intend to ignore the ‘novel length’ suggestion—The story may be long, but certainty not that long.

Works Referred To:

Jackson, Georgina F. Shropshire Folklore. Edited by Charlotte Sophia. Burne, 1883.

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